This Floating Excrement Was Way Too Symbolic! It's the TV Letdowns of the Year.

Looking back, we reflect on the TV offerings of the past year, a selection of shows stand out not for their excellence, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Plagued with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the final series began, it looked like it had at last found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last season. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's issues. The recipient of a very rare no-star assessment, it was difficult to know where to start listing the problems. The hilariously leaden writing? The tedious glorification of affluence and materialism? The seemingly deliberate parade of cliches? Acting so bad they felt almost malicious? Suffice it to say “each and every one” and forget about this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be saved for the people who have had to suffer close contact with this charming but dismissive egotist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other issues. Primarily that it was just really dull; a dispute over narcotics territory between various cockney picaresques which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as intentional provocations. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for some reason, this three-part series opted not to say them. Rather, the viewing was akin to reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the star … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to haul her son away from the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Jessica Richards
Jessica Richards

A tech journalist and industry analyst with over a decade of experience covering global markets and emerging technologies.