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This is a New York drama so laidback that it has taken a decade to reach the UK’s cinema screens. Initially unveiled in the US in 2015, it’s a micro-budget first feature from debut filmmaker Charles Poekel, taking place largely on a 24-hour pop-up Christmas tree stall. Poekel’s style remains decidedly genuinely independent and naturalistic to get slushy or sentimental about Christmas; through his lens Christmas tree lights flash like police lights. But with its subtle approach, he pitches his film just right for a little squeeze of festive warmth.

A Jaded Seller Amid the Brooklyn Cold

Kentucker Audley stars as Noel (it took someone in the film to comment on his name before I twigged). Noel is back for his fifth year peddling Christmas trees in Brooklyn, standing outside in the freezing cold and sleeping in a barely warmer caravan stationed beside the trees. Several patrons inquire after the girl working with him last year. But this year Noel works solo, broken-hearted and on the night shift.

There’s a documentary feel to many of the scenes, with customers asking idle and peculiar questions. One woman requests the same Christmas tree as the Obamas (this is 2014). Noel looks frozen to the bone in body and spirit; he’s weary and disillusioned, though Audley’s subtle performance clearly indicates that he wasn’t always like this.

Quiet Moments and Glimmers of Hope

In truth, not much happens. Noel comes to the aid of a woman, Lydia (Hannah Gross), who has collapsed drunk on a bench. She reappears later in truly poignant scenes as Noel drives around New York, delivering trees – and these moments could ignite a small glimmer of good cheer even in the most cynical viewer. Poekel has not directed a feature since this, which is regrettable – it is unmatched for authenticity and fluidity, and it’s filmed on gorgeously textured 16mm film.

A film of understated charm and real mood, capturing the loneliness and brief connection of the season.

Christmas, Again opens in UK cinemas from 12 December.